Okay, Bill, today's posting seems to me llke a departure in a different direction for you. You seem to have put together a more journalistic report than the hobbyist-type reports you've posted before. I'm hoping you will do more of both types. You have me liking "Grow Old Together" more now that I've had more explanation about its particular plan and qualities. Last posting, I was enamored with "Home in the Desert 1." By the way, the first mention of that puzzle today has it entitled "Home on the Desert 1." You might want to correct that. I was very pleased to see three images by Picasso today, all three of which I admire. Of Gwen van Knippenberg's work, I like best the picture of the woman cutting out gingerbread cookies. Back to Shachi Kale's work for a moment, I want to say that I really like how the hidden image of the two oldsters shows them as a younger, loving couple. I know you have been contacting and communicating directly with artists and puzzle producers, and your growth as an interviewer, if I may call you that, reminds me that I had great fun about twenty years ago interviewing and writing up the stories of gold panners on Vancouver Island. Cheers to you, Bill, and do carry on.
Okay, Bill, today's posting seems to me llke a departure in a different direction for you. You seem to have put together a more journalistic report than the hobbyist-type reports you've posted before. I'm hoping you will do more of both types. You have me liking "Grow Old Together" more now that I've had more explanation about its particular plan and qualities. Last posting, I was enamored with "Home in the Desert 1." By the way, the first mention of that puzzle today has it entitled "Home on the Desert 1." You might want to correct that. I was very pleased to see three images by Picasso today, all three of which I admire. Of Gwen van Knippenberg's work, I like best the picture of the woman cutting out gingerbread cookies. Back to Shachi Kale's work for a moment, I want to say that I really like how the hidden image of the two oldsters shows them as a younger, loving couple. I know you have been contacting and communicating directly with artists and puzzle producers, and your growth as an interviewer, if I may call you that, reminds me that I had great fun about twenty years ago interviewing and writing up the stories of gold panners on Vancouver Island. Cheers to you, Bill, and do carry on.